Sandakan Memorial Window Project

Stage 1 of a private project, to make and install stained glass windows in the historic church of St Michael and All Angels in Sandakan, Borneo (Sabah) has been completed. The world class, heritage windows are a memorial to Australian and British prisoners of war who died in Sabah - at Sandakan, Ranau or on the death marches - during 1942-1945, and a thanksgiving to the local people who risked, and gave, their lives to help them. A total of 2428 POWs (of whom 1787 were Australian) died at Sandakan or on one of the infamous death marches to Ranau, the bulk of them in 1945, sixty years ago. Only six Australians who escaped, survived. All 641 British POWs perished. This is the first time Australians from all states have had the opportunity to participate in such a project or to show their gratitude to the people of Sabah, many of whom were tortured or imprisoned for trying to help the prisoners. Eight were executed by firing squad. How many others died is impossible to assess. 

Many of the prisoners, who were transferred from Singapore by ship, spent the night in the church before marching to the Sandakan compound, 12 kilometres away. Built in the late 1890s from local stone, in the style of a cathedral, St Michael’s is one of only four buildings to survive World War II. All, interestingly, were places of worship - two small Chinese temples, and the town mosque. 

The idea to create a memorial window was conceived in 2003, during a trip to Sandakan, where I conduct an Anzac Day service with a small group of POW relatives each year. I approached the Rector to discuss my idea and, as a result, the church authorities made available the entire, tri-panelled west window. Over five metres in height, it dominates the main entrance. Response to the project from relatives of the prisoners and other caring people was so great (over $100,000 donated) that it was possible to commission the west window, and three more below, and to create a beautiful POW Chapel in the church. 

Philip Handel, a well-known Sydney artisan who has spent a life-time designing and making stained glass windows for gothic-style churches, came out of retirement to undertake the project. He used only hand-blown, antique French glass of the highest quality, and which he had not seen in Australia for twenty years. Using this exquisite glass as his basis, he then began creating his masterpiece. Coincidentally, the main window consists of 2,500 pieces - one piece for each POW. Each piece of glass, after Handel had added the detail he required to create his design, was fired in a special kiln, up to three times, depending on the depth of detail required. 

The design of all four windows is integrated. The main window is spread across the three panels, or lights. Various shades of blue on the outer border represent the oceans which link the three nations. The subject for the upper, or memorial section, is from the Acts of the Apostles, Chapter 12, depicting a shining angel backed by ruby-coloured, spiralling shapes suggesting movement, and enclosed by a rainbow-hued circle – a symbol of peace and hope for the future. 

Below, in a prison cell, sits St Peter, who is under sentence of death. He is amazed at the awesome sight and incredulous at the miraculous loosening of his chains, and his subsequent deliverance which the Roman guards are unable to prevent. This scene is a reminder of the Almighty’s power to free the spirit of mankind from evil and oppression. The text, ‘By the strength of your arm, preserve those condemned to die’, reinforces this message. 

Above the angel, at the top of the central arch, sprays of wattle surround the floral emblems of the Australian states from which the men enlisted. The orange and yellow hues in the centre represent the colours of the outback and the setting sun; the purple tones, the mountain ranges. 

The lower section of the window features the well-known parable, The Good Samaritan. This story, which teaches compassion between strangers, typifies the spirit of mateship which sustained the prisoners until the end, and exemplifies the compassion of local people towards strangers in need of help and comfort during many dark days. Included in this setting is a representation of The Big Tree - a mengarris and a prominent landmark at the infamous Sandakan POW Camp. Another coloured spectrum, echoing the rainbow theme, frames the figures and the whole picture is encompassed with the flowers of Australia, Britain and Sabah, united by their wartime experience. The focus words Endurance, Honour, Compassion, Courage and Sacrifice, describe the triumph of the spirit and will over flesh – the purpose of the memorial. 

Below the main window are a large arched window over the west door, featuring a brilliantly coloured Christian cross, and two much smaller windows to either side – an angel representing Peace and another representing Eternity. The centre piece of the chapel, directly below the main window and incorporating the small angel windows, is a finely crafted, altar-like Table of Honour, with polished granite top, on which are inscribed the words ‘For there are deeds that should not pass away, And names that must not be forgotten.’ Over the granite is a glass case, containing the Roll of Honour, inscribed with the names of all our POWs, and local people who died or helped, and the Book of Special Remembrance, containing the names of all donors, along with the names of people they are jointly or individually honouring, and any special inscription. The books, hand-bound in burgundy, Moroccan leather and hand tooled in gold, are composed of archival parchment guaranteed to last 500 years. Each week, a new page will be turned. Resting on the blank left-hand page of each book, as a paper-weight, is a life-size pewter gum leaf, with a cluster of gum nuts. Around the walls of the chapel are regimental plaques, donated by associations and individuals and a hand-made pulpit banner, donated by the family of Padre McLiver, an Australian army officer, who used it at his services, following the liberation of Borneo in 1945, and which we had framed. 

The breathtakingly beautiful windows and the chapel were dedicated at 4 pm on Anzac Eve. The 130 Australians and four British present, along with 50 family members of local people being honoured, knew they were about to witness something very special when the opening notes of the Trumpet Voluntary heralded a grand procession of a forty-voice choir dressed in brand-new robes, colour parties carrying the flags of Australia, Britain, Sabah and Malaysia (the Australian flag escorted by an Australian soldier whose grandfather had died at Sandakan) and senior Anglican clergy, headed by the Archbishop of South-East Asia Province, Datuk Yong Ping Chung, all clad in gorgeous cream, gold and red regalia. 

The four windows, draped in burgundy silk shot with gold, were unveiled and dedicated, one by one, with various people from the POW families, and local people, assisting the Archbishop. With the afternoon sun lighting up the three lower windows in spectacular fashion, the strains of the Hallelujah Chorus filled the church and the final curtain rose slowly, to reveal a window of such stunning and awesome magnificence that every person present, some 300 all told, stopped clapping and stood in rapt silence, absolutely transfixed. Tears poured down almost every cheek, including those of cameramen and journalists. I have never experienced anything like it. The Windows of Remembrance must surely be Philip Handel’s finest work. 

The following day, at 4 pm, there was an ‘official opening’ by the Deputy Chief Minister and Sabah’s Minister for Tourism, at a most joyous and moving celebration, a wonderful community event at which children danced and balloons were released. The Minister, along with representatives of the Australian and British High Commissions and other dignitaries, entered the church, where they gazed in wonderment as the Windows were revealed one at a time, as on the previous day. 

However, it was not until later, at the reception attended by the VIPs and our donors, that I realised how much our windows meant to the wider community. There was total silence and a good many more tears when a tiny Chinese lady presented me with a beautiful oil painting of Mt Kinabalu, where local legend says the spirits of the dead ascend, to express her gratitude for honouring the local people in the Windows of Remembrance. Aged 82, she had travelled by public bus with her son, as her interpreter, all the way from Kota Kinabalu – a journey of seven hours – to meet me. 

The many people who have expressed their disappointment at having missed out on Stage 1 are now invited to participate in Stage 2 - to install stained glass in the two remaining major windows, over the north and south doors.

Our prisoners left us a wonderful legacy - goodwill and friendship between nations, forged by our prisoners with the people of Sabah in a time of great adversity.  We will endorse this legacy by having friendship and love for our fellow man as our focus for Stage 2.

Here is your chance to be part of something very special.  If you would like to ensure that the precious legacy of our POWs is passed to successive generations; if you would like to transform the tragedy and grief of Sandakan into something beautiful and uplifting, a testimony to the triumph of good over evil and a source of wonder, awe and a joy for hundreds of years to come, please contact me. Any excess funds will be used to set up a maintenance fund for all the stained glass and to support the Sandakan Memorial Scholarship Scheme. 

This is a scheme established by the Trustees of the Sandakan memorial Windows,  to enable promising students from remote Kadazandusun villages in Sabah’s interior to receive secondary education at St Michael‘s School, under an arrangement pioneered in 2002. Without this help, even the most gifted village students cannot hope to pass a nation-wide exam to enter advanced colleges and universities - the passport to a better life. Girls, in particular, will benefit from the Scheme. Without a scholarship, their only option is to remain in their villages, their potential unfulfilled. All of the current intake of students sang and danced at the Dedication and Official Opening of the Memorial Windows.

This Scheme does not require vast amounts of money. Our Australian dollar goes a long way in Sabah and, by our standards, the cost of board, lodging, schooling and extra tuition, especially in English, is extremely low. Full board and tuition in Sydney costs between $20,000 and $30,000. In Sandakan, all this, plus travel to and from the village twice a year, can be bought with just $1,000.

A high percentage of Sabahans are Christian. This includes the Kadazandusun people. It is especially fitting that this Scheme is helping students from this minority ethnic group, as these were the people who helped our POWs on the death marches and at Ranau. All donations, however small, will help - a bucket is soon filled by many small drops. For the price of a good cup of coffee, or a beer, a glass of wine or simply your loose change, you can help make a difference. If you wish to participate, please contact Lynette Silver. There are no overheads at all for this Scheme. Every cent goes directly into the education fund. Pamphlets explaining the aims of the Scheme are available from Lynette or from St Michael's Church.

"Above is a feature article on our scholarship scheme - it appeared in the Daily Express in Sabah.  (Click on each 1/4 of table above to enlarge).

Let's hope it will inspire others to help. Since I was interviewed about this, in August 2006, a group of financial advisers donated enough money for another two computers, while a private individual donated a fourth. Donations since September 2005, when I started with my 'wishing bag' now reach $40,000. Funds in excess of what is required for the contribution towards annual tuition are invested with the aim of building a sum, the interest from which will support the scheme, in perpetuity.

Thanks to all who have participated, or are participating."

Lynette
October 2007
 

The Parit Sulong Memorial, Johor, Malaya.
 
On 4 September 2007, a memorial was unveiled at the tiny village of Parit Sulong, Malaya, to  commemorate  all those who died in The Muar Battle.
 
Sixty-five years ago in January 1942, as the Japanese pushed the main Allied army down the Malay peninsula, two under-strength Australian infantry battalions (the 2/19th and 2/29th), a handful of gunners from  2/15th Field and 4 Anti-tank Regiments, and a depleted Indian Army contingent held back a vastly superior enemy force of 10,000 crack Japanese Imperial Guards.
 
This epic battle, which prevented the enemy from cutting off the line of retreat of the main Allied forces, was one of the most desperate, and least known,  fighting retreats of the Second World War, for which the Australian commander Lieutenant-Charles Anderson was awarded a Victoria Cross.
 

After four days of relentless combat, the defenders reached the bridge at the village of Parit Sulong, only to find it in Japanese hands. Unable to break through and with no hope of relief, surrounded by superior enemy forces but unwilling to surrender, Anderson gave the order 'every man for himself'. Left behind at the bridge were the very badly wounded - over 100 Australian and 35 Indian soldiers, expecting Red Cross protection. This was not to be, and what followed was one of the most infamous massacres of World War 2.
 
In June 1997, while researching material for her 2004 publication, The Bridge at Parit Sulong,  Lynette Silver wrote to the Director of the Office of Australian War Graves suggesting that the site of the massacre and the efforts of these gallant Australians  be marked in some way. Her proposal received excellent support, but it took ten years to obtain the  funding and secure the necessary permissions  to finally become reality. When the project was finally approved and financed, due in no small part to the Office of Australian War Graves and staff at the Australian High Commission in Kuala Lumpur,  Lynette was invited to be closely involved in the design of the memorial, as well as the wording on the granite tablet and the two information panels, which describe, briefly, the battle and the terrible aftermath. Lynette, who was invited to sit with the VIPs at the unveiling in recognition of her work and efforts in bringing the memorial to fruition, laid a wreath in memory of all who died.

Lynette, with the support of the Office of Australian War Graves, had been liaising for a considerable time with the Department of Defence, and had addressed an expert panel to put forward evidence that the remains of those massacred at the bridge, and buried in some kind of mass grave, had not been recovered. To coincide with the unveiling of the memorial, an official announcement was made regarding this issue. It is expected that within the next twelve months a forensic archaeological examination of the site will commence, under the auspices of the Department of Defence, to determine the whereabouts of the remains of these Australian and Indian soldiers.  If the remains are located, they will be exhumed and reburied in Kranji War Cemetery, Singapore. Those with a connection with the Muar-Bakri-Parit Sulong battles are invited to contact Lynette Silver, so that she can keep relatives informed of any progress and maintain a support network. 

For further details, contact Lynette Silver